Dance

Soaring to the heights

Garrett + Moulton Productions triumph with 'The Luminous Edge'

|
()

Stream of movement

Liss Fain turns to Faulkner for 'The Imperfect is Our Paradise'

|
()

Great leaps forward

Emerging choreographers present new works at SAFEhouse for the Performing Arts' SPF7

|
()

arts@sfbg.com

DANCE What the future holds for the most recent crop of dancer-choreographers to graduate from SAFEhouse for the Performing Arts' Resident Artist Workshop remains to be seen. They may return to the comfort of the studio space at the Garage on Bryant Street for another session of work, work, work. Others might strike out on their own locally, while a few may take off for places like Amsterdam and Lisbon, as other RAW grads have done.Read more »

Meta-morphosis

Arianne MacBean's dance-theater Big Show Co. scrutinizes the creative process

|
()

arts@sfbg.com

DANCE Visiting from Los Angeles, the Berkeley-born Arianne MacBean introduced the Bay Area to her Big Show Co. via two works. The elaborately titled The People Go Where the Chairs Are dates from 2012; the more condensed present tense was a world premiere. Both pieces intrigued by putting on stage the process the artists go through trying to give life and shape to something inchoate.Read more »

Modern times

Smith/Wymore Disappearing Acts take on communication in the digital age

|
()

arts@sfbg.com

DANCE Smith/Wymore Disappearing Acts' zany Number Zero (a space opera) is truly a piece for our times. These days, we spend more hours communicating, or at least trying to, through electronic media rather than with real human beings. We order books online, talk with our mothers via email, and set up our dates through Twitter. Most of us don't think twice about what this does to our nervous systems, not to mention to our hearts. The clever, witty, and chaotic Number Zero offers a corrective. Sort of.Read more »

Eight up

SF Ethnic Dance Festival spotlights classical Indian dance

|
()

arts@sfbg.com

DANCE The 36th annual San Francisco Ethnic Dance Festival opened with an ambitious agenda: presenting India's eight classical dances in one program. Yet this first weekend — EDF continues at Yerba Buena Center for the Arts through June 28 — didn't quite meet the high expectations the festival had set for itself.Read more »

The dual

Creativity rules at Circus Automatic and 'Shared Space'

|
()

arts@sfbg.com

DANCE Circus Automatic's In the Tree of Smoke is a fun and greatly entertaining show that aims to place circus acts, traditionally viewed as club and variety show entertainments, into a more mainstream theatrical context. Tree's organizers could not have chosen a better place than Chinatown's recently resurrected Great Star Theater, an old-time movie house that had fallen on hard times.Read more »

Get some: 'This Is What I Want' fest continues through June 21

|
()

This Is What I Want — the Bay Area’s fifth annual performance festival devoted to performing and investigating desire — seems to want it all this year, with no less than three weeks of far-flung programming. It all started last Sunday with TIWIW’s first-ever film festival, Left Eye/Right Eye, an evening of short subjects curated by San Francisco and Kansas artist Peter Max Lawrence. It continues this weekend with a performance installation and party at the Dollhouse (CounterPULSE’s new space at 80 Turk) for female-identified audience members (a category TIWIW organizers say they’re prepared to interpret liberally), followed by performances through the weekend for the all and sundry.

Read more »

Hold 'Steady'

Alonzo King's new work mixes dark threat into tenderness

|
()

arts@sfbg.com

DANCE Alonzo King's The Steady Heart (which opened his spring season at YBCA May 21) is among his most dramatic and, thematically, most explicit works. It also just may be one of the finest he has yet created for his 11 Lines Ballet dancers, three of whom — David Harvey, Caroline Rocher, and Meredith Webster — will retire at the end of this season.Read more »

Intersection for the Arts lays off staff, halts programming

|
()

Intersection for the Arts, one of the city's most established alternative arts venues, is the latest casualty in a city slowly strangling its arts and music scene. 

The decades-old studio and artists space will lay off most of its staff and program directors by the end of the month, and will no longer produce its own arts programming.Read more »